MasterClass :Incorporer le corps — la performance dans sa démarche artistique ObjectifExplorer la relation entre le corps et la performance dans le cadre des arts visuels, en intégrant la vidéo et l’installation comme médiums d’expression. Thématiques abordées Objectifs d’apprentissage Méthodes pédagogiquesAlternance entre apports théoriques et exercices pratiques. Évaluation Public visé :Étudiants, lycéens (option arts plastiques), artistes…… Prérequis :Pratique dans le champ des arts visuels. Informations pratiques : Intervenante :Halida Boughriet, diplômée de l’École Nationale Supérieure des Beaux-Arts de Paris et du programme d’échange de la SVA à New York, est une artiste française et algérienne. Elle a animé de nombreux workshops et master classes auprès de divers publics. À travers la performance, la photographie et la vidéo, elle explore les tensions des relations humaines tout en déconstructant les stéréotypes pour mettre en lumière des subjectivités historiquement sous-représentées.

Work produced during MAM // Media Art Morocco 2016 Digital Marrakech Media Art Morocco: Exploring the Latest Practices in Digital Arts Discover the 5th edition of the Digital Marrakech Media Art Morocco (MAM), a symposium dedicated to digital arts that was held in May 2016. This event brought together artists, experts, and enthusiasts to explore trends such as digital cinema, multimedia performances, and video installations, while promoting intercultural exchanges. Organized by Arab Media Lab, MAM aimed to strengthen the media arts scene in Morocco and the Arab world, providing young artists with masterclasses, roundtable discussions, and networking opportunities. The event was a must-attend for creation, innovation, and artistic collaboration. The Franco-Algerian artist led a masterclass with a number of students. The outcome of this session can be seen in the video below. Work produced during MAM // Media Art Morocco 2016 under the supervision of Mixed artist and filmmaker: HALIDA BOUGHRIET

The workshop « In the Urban Body, » directed by artist Halida Boughriet at the École des Beaux-Arts of Toulon, was conceived as a necessary initiative for first-year students. Over three days, this workshop allowed participants to explore the interactions between urban space and individual identities, integrating theoretical concepts derived from Édouard Glissant’s thought, notably the distinction between globalization and mondialité (worldliness). The aim of the workshop was to introduce students to artistic performance as a means of exploring and expressing their unique identities within public space. Emphasizing photography as a medium of expression, students were encouraged to engage in a dialogue with their immediate environment. The pedagogical approach highlighted the art of gesture, gender identity, and social norms—key elements in constructing identity within the urban context. Drawing on Glissant’s ideas, the workshop fostered a deep reflection on creolization and cultural mixing, providing a framework for students to consider their own identities within a plural society. This perspective enriched discussions on how identities are woven through human interactions, particularly in urban settings often perceived as spaces of tension and encounters. At the intersection of the tangible and the imaginary, this experience offered a platform where each individual’s uniqueness could be expressed, challenged, […]

  https://www.casus-belli.ici-et-ailleurs.org/contributions/esthetique-et-critique/article/filmer-le-passe Filmer le passé mardi 7 janvier 2025, par Alketa Spahiu Autour de l’installation artistique Ruine, Part I, Gradishtë [1] de l’artiste Halida Boughriet [2] à la Gallerie delle Prigioni de la Fondation Benetton, Trévise, Italie. Filmer le passé, en particulier le passé « exceptionnel », douloureux comme celui des camps d’internement, représente un véritable défi pour les arts visuels. Face à l’absence de témoignages directs, l’artiste tente de reconstruire et reconstituer une réalité qui a existé autrefois, mais qui n’est plus aujourd’hui. L’histoire qu’elle retrace peut être évoquée non seulement à travers des fragments subsistants de cette réalité passée – clôtures, murs, fontaines, magasins, etc. – mais aussi à travers les souvenirs, la valeur symbolique que certains objets continuent de porter, en parallèle avec des sensations, désormais dans une réalité complètement différente. Alors, l’enjeu ici réside dans l’énigme : comment filmer le paradigme de la perte ? Est-il transcriptible ou représentable en image ? Filmer le passé ne peut se limiter à un simple acte documentaire. Il s’agit davantage d’un acte de création. Cet acte de création est ainsi nécessaire pour mettre en interaction la mémoire, les vestiges et l’imagination. Le processus est alimenté à la fois par la mémoire et l’imagination. Le passé ne […]

https://peizazhe.com/2024/12/11/te-filmosh-te-kaluaren/   Art / Kujtime TË FILMOSH TË KALUARËN Alketa Spahiu 11 Dhjetor 2024 Filmimi i së kaluarës, veçanërisht i një të kaluare të dhimbshme, si ajo e kampeve të internimit, paraqet një sfidë të jashtëzakonshme për artet pamore. Përballë mungesës së shpeshtë të dëshmive të drejtpërdrejta dhe fundit të një epoke, artisti përpiqet të rindërtojë një realitet që ka ekzistuar dikur, e që sot nuk është më. Historia mundësohet jo vetëm përmes copëzave të mbetura nga ai realitet: gardhe, mure, çezma, dyqane, etj. Por edhe përmes kujtimeve, vlerës simbolike që disa objekte bartin ende prej atij realiteti; paralel me ndjesitë të cilat janë tashmë pjesore në një realitet krejt të ndryshëm. Atëherë orvatja këtu ka të bëjë me enigmën: Si të filmosh paradigmën e humbjes? A është ajo e transmetueshme ose e paraqitshme në imazh? Filmimi i së kaluarës nuk mund të mbetet thjesht akt dokumentimi. Është më shumë krijim. Akti i krijimit është kësisoj i nevojshëm për të vënë në ndërveprim kujtesën, vestizhet dhe imagjinatën. Është një proçes i grasatuar nga kujtesa dhe imagjinata. E kaluara nuk mund të rikrijohet kurrë plotësisht. Por ajo mund të kapet përmes copëzave të përmendura sa më lart, duke i pranëvënë ato […]

BIENNALE DE SÉLESTAT 23 septembre – 5 novembre 2023 Avec Garance Alves, Camille Beauplan, Hugo Bel, Halida Boughriet, Estelle Chrétien, Markus Hansen, Shivay La Multiple, Pascal Lièvre, Clément Richem, Mathias Tujague Commissaire d’exposition : Élise Girardot